Writing Challenge #1

Credit: Crazy Frankenstein

Ahoy, folksies. I have a new idea! And it stems from my perceived inability to write tension without a threat of violence. But before I get all ahead of myself, let’s take a breath and explain. Athletes need to warm up (well, not according to Tallahassee from¬†Zombieland, but whatever) and writers do, too. Because time—our most valuable yet most infuriatingly difficult to use resource–is limited, one might as well make the warm-up also developmentally worthwhile. I mean, want to get that swole writer bod? Then never spend a word willy-nilly.…

Midi-Chloriens World Building

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There are various and sundry complaints about the “prequel” trilogy (PT, or POS to some) in comparison the the “original” trilogy (OT), but one misstep has always stood out to me (I know you’re thinking “Jar Jar!” but that’s not it… just hear me out). The Force is treated very differently from trilogy to trilogy.

Vocabularied Egos

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When you find yourself truculently bedighting your scrivenery with inimical prose, serried and thick as chaparral; I, for one, recommend elision instead. Otherwise, your writing may appear solecistic, and you, as a writer, solipsismal.

Workout Time

I’d like to borrow a tired chich√© from my music education experience, which is that the “practice makes perfect” mantra is misleading. Practice makes permanent is more often true. Only perfect practice makes perfect. Which raises the question: how does one practice writing?

There is a Singularity: go Viral or go home

So, trying to will your book into viral popularity is like the guy I saw driving down the freeway with a mattress strapped to the top of his car and one hand out the window, as if he could stop a freakin’ mattress (read: fluffy, spring-loaded SAIL) from flying off his car.